-
Nightmares and Angels
Just after the Berlin wall came down, I threw a bag into the back of the Volvo and drove down to the Hamburg ferry. Not quite as spontaneously as that, of course. I had a plan. I’d lined up meetings with Hamburg’s Sex Crimes division and detectives in the Criminal Investigation department of the Dussseldorf…
-
Creating the Audio Drama
The first professional work I ever did was in radio drama, and I did quite a lot of it. Long form stuff, six-part serials and 90-minute plays. It’s a medium that provides a grounding that’s equally valid for both novel and screenplay writing. You learn to structure, and to structure over distance. You learn to…
-
The Entitlement Thing
The magazine Doctor Who Monthly runs a readers’ poll every season. This year, one reader couldn’t even wait until the end of the run before sharing. He gave every story the lowest possible mark (‘Awful’), including those he hadn’t seen. He hated every villain that wasn’t a Dalek, and called for Matt Smith to be…
-
Fiction Reboot
A couple of weeks ago I answered a few interview questions from novelist/academic researcher/teacher Brandy Schillace, and the results are now online. I spouted stuff like: “Through my teens I read classic science fiction and ’60s British thriller writers. Then I had the advantage of a very solid three years of education in English Literature…
-
How Do I Get My Script Read?
“Any advice for getting a script read by some influential people?” A question asked of me recently that’s impossible to answer in just a few words. But here’s the digest version. My experience is that “influence” is mostly a public illusion of power, and it’s no subsitute for the actual ability to get stuff made,…
