Hauling Like A Brooligan

Stephen Gallagher

Screenwriting Sense

Talks on writing can be useful and fun. Usually if they’re fun, they’re useful – at the heart of all entertainment is a sense of play, and the art of the Art is learning to play to a purpose.

On the positive side, I attended a MediaXchange event in London in 2002 in which a bunch of American showrunners, producers and staffers dissected their system for a UK audience. I’m convinced that it was the start of the path that has brought me to here. I don’t think I was working on anything at the time, which means I wasn’t earning, but it was still the best use of 250 quid I could have made.

The downside is that there are a lot of books, courses and how-to’s out there that ain’t worth a bucket of warm spit. Some of them even have diagrams. They’re the worst. The best, cited by just about anyone who knows anything, is still William Goldman’s memoir Adventures in the Screen Trade. And it doesn’t purport to teach anything at all – it’s a mix of autobiography and personal war stories. What it teaches, by a kind of osmosis, is professional attitude.

Which leads me to a simple conclusion; when somebody’s telling you stuff about writing, check out what they’ve written.

Which in turn leads me to William Akers, who’s dropped me a line about his forthcoming talk at the Met Film School, and who I’m happy to report is The Real Deal. His screen experience goes back to The Wolves of Willoughby Chase, which was the first feature directed by my old friend Stuart Orme.

Described as An intensive and informative workshop with William M. Akers, author of “Your Screenplay Sucks! 100 Ways To Make It Great”, the talk runs from 6.30 until 8.30pm on Thursday 2nd July 9 at the Met Film School, Ealing Studios, Ealing Green, London W5 5EP.

Tickets are a mere £15. You can pay on the door or email beka@metfilm.co.uk to book.


4 responses to “Screenwriting Sense”

  1. ''Which leads me to a simple conclusion; when somebody's telling you stuff about writing, check out what they've written.''

    Thrice times yes!!! especially in the blogosphere. Though I'd add 'produced'

    reluctantly lol

  2. Full marks for Akers for working the blogs. Good luck to him – hope it pays off.

    I was at that same Media Xchange event in 2002, I think. Really interesting – and those showrunners were inspirational. Though it hasn't yet helped *me* to Hollywood 😉

    Hope it's going well. Make sure to continue the updates…

  3. One of the speakers at that event was Luke Reiter, then a supervising producer with David E Kelley's company; just before I got here he joined THE FORGOTTEN as showrunner, working alongside creator Mark Friedman. Small world or what?

  4. There are two books I recommend to writers (usually in place of a 3 year BA/MA/ whatever course:)

    ADVENTURES IN THE SCREEN TRADE, as you rightly said. And Moss Hart's ACT ONE. If that doesn't gladden your heart; teach you how to write comedy and make you do your first stageplay, I don't know what will.