At the end of my previous post on people in writing careers without any ideas to drive them, I mentioned an entry in Little Miss Brooligan’s blog said the Actress to the Vicar on the subject of writers and writers’ rooms. It’s part of her coverage of Running the Show, an intensive day of sessions with British producers and American showrunners organised in July by the London Film School.

Speakers included Tony Garnett, Stephen Garrett of Kudos, and X-Files alumnus Frank Spotnitz whose new show, Hunted, is an international venture involving Kudos, the BBC, and HBO.

From the notes:

HUNTED – A new co-pro between BBC and HBO – there are two different cuts for broadcast on each (ie HBO has a lot more nudity!) It was written using a writers’ room, unusually for the UK. Series creator and showrunner Frank Spotnitz brought along his team of writers and explained how the process worked – he wrote the pilot solo, then met with his writers and they discussed where the characters & plot might go over the course of the series. Then they each took an episode and wrote it, with Frank rewriting all of them to varying degrees. It was a very collaborative process though. They treated the episodes like mini movies, deciding for each a particular movie that would serve as a ‘model’ for the tone and pace of the episode. During production, the writers were on set a lot, and also invited to be involved in the edit – they were involved at every stage.

Other topics covered include ‘Trojan Horse’ drama, smuggling in originality while making a project seem like something familiar, and the high global demand for English-language drama. You can find the full piece here.