Although in all seriousness I can’t recommend it…

As well as its full-time MA studies the London Film School runs a number of part-time courses for screenwriters and filmmakers. They’re professional training so they’re not cheap, but if you’ve reached a point in your career where you can make use of industry insight then they can be of real value. In November/December there…

Hull’s on the shortlist of four for City of Culture, 2017. The bid submission’s going in at the end of this month and when asked if I’d support it with some kind of personal statement, here’s what I wrote: I came to Hull in 1972 to begin what would prove to be the most important…

Movies about magicians are tricky. OK, now we’ve got that out of the way, let me explain. One of my less satisfying viewing experiences of the summer was a heist movie called Now You See Me, the premise for which involved four illusionists teaming up and combining their skills to pull off a series of…

From the editorial desk of Scott Harrison come a couple of projects, both of which include new stories of mine. On sale from August 24th is Thirteen, an audio anthology available for MP3 download with a CD version to follow. Thirteen is… …presented as a portmanteau anthology, with an umbrella story tying all 13 stories…

So we made it back from London just in time to catch the second half of the BBC’s live announcement of the new Doctor Who casting, settling down before the TV with the Bargain Bucket we’d picked up on the way home. We hadn’t been rushing back, or anything. Twitter was hardly likely to be…

A shout-out for this one-hour SF comedy, beginning a 6-night run at the West End’s Tristan Bates Theatre this evening at 7.30. Written and directed by Stephen Jordan and featuring Cliff Chapman and Adam Joselyn, it’s presented by Manmoth Productions as part of the Camden Fringe and is a FringeReview Hot Pick. Why the shout?…

Earlier this year I gave long answers to some very basic questions for a film student’s diploma dissertation. This is the last, and the briefest. Which companies have you worked for? What are they like to work for? Are there differences in styles and techniques? Off the top of my head — the BBC, ITV,…

Earlier this year I gave long answers to some very basic questions for a film student’s diploma dissertation. How would you go about selling a script or concept? Can you sell a concept? You can sell a concept, and people do it all the time, but it has its hazards. Because, see above – if…

Earlier this year I gave long answers to some very basic questions for a film student’s diploma dissertation. Is there a difference in writing for UK and US audiences, and if there is, what is it (cost, budget, more/less freedom)? I don’t think the audiences are that different, but I find that the commissioning cultures…